Three Experiments for flute and piano.
This piece grew form ideas found in Webern and Schoenberg but became a terse dialogue of a more contemporary nature.
The first movement is a study in starkness, the second a violent impassioned outburst, and the third an almost nonexistent aphorism.
This young man is highly recommended by composer John Heiss as an exciting, new composer!
This piece grew form ideas found in Webern and Schoenberg but became a terse dialogue of a more contemporary nature.
The first movement is a study in starkness, the second a violent impassioned outburst, and the third an almost nonexistent aphorism.
This young man is highly recommended by composer John Heiss as an exciting, new composer!